Field Notes · Tokyo

Notes from the studio on generative systems, paper folds, and slow looking.

Essays, process notes, and exhibition updates from Jun Fujiki — long-form writing on the geometry, code, and craft behind each piece, published when there is something worth saying.

Recent dispatches

Field notes, exhibition reports, and short essays

New writing appears here roughly once a month. Older entries are filed in the archive — search, browse by topic, or subscribe for a quiet email every quarter.

Exhibition Oct 28, 2025

Report from 3331 Arts Chiyoda — what we learned showing generative work alongside ink masters.

Notes from a two-week installation in Tokyo, including the conversations with visitors, the quiet failure on opening night, and the small revision that changed how the piece read in the room.

6 min read
Research Sep 19, 2025

Perlin noise, but gentler — a study of low-amplitude fields for paper-based generative drawing.

An experiment in taming standard noise functions so the resulting marks sit closer to a hand than a printer. Includes the Python notebook, sample outputs, and three rules we now follow by default.

11 min read
Process Aug 02, 2025

Why I still hand-number every print — and the simple script that helps me stop losing count.

Editioning generative work raises a quiet question about uniqueness. A short piece on the studio's compromise, the spreadsheet we used to use, and the small CLI tool that replaced it.

5 min read
Reading Jul 11, 2025

Three books I keep returning to — Sol LeWitt, Katherine Hayles, and a quiet manual on washi.

A short reading list, with the specific pages that changed how the studio thinks about rules, randomness, and the dignity of the sheet. No affiliate links, no spoilers.

4 min read
Studio Jun 03, 2025

Working in two time zones — a morning routine for slow generative practice.

How the studio structures a day between code review, hand-drawing, and reading. Includes the simple timer that keeps the morning honest, and why no work leaves the desk before noon.

7 min read
Essay May 17, 2025

The grid is not the enemy — revisiting modular composition after a year of fold-led work.

An older series is returning to the studio wall. A reflection on what changed, what held, and the small rule about diagonal lines that has outlived three studio moves.

9 min read
View the full archive (2019 – 2025)
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Threads that run through the journal

Most essays fit somewhere on this list. Some belong to several. The studio is small, so the categories are loose on purpose.

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A short letter, four times a year.

One essay, three images from the studio, and a single link worth your time. No tracking, no upsell, no algorithm — a plain email, sent the first Sunday of March, June, September, and December.

Past letters are archived on the site for anyone who prefers to read in public.

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